Robert Plant; Seasick Steve, Rock Oz'Arènes 3rd August 2016
Writing
a review in the train to the next show. But these two shows are
almost my only days off this month and I am still working on my way
(and writing reviews)
If
you scroll back a few years you'll notice I have already been to this
festival. It's one of the prettiest towns in the country, known for
Roman ruins, and the festival actually takes place inside the Roman
amphitheatre. I got there right in time to meet a friend and to start
queuing, no one else was there so that was fairly stress less, and
there was shade which was really wonderful. As we got to the barrier,
there were maybe five people joining us in the six o'clock sun, still
rather hot but ok. In fact I ended up having the mark of my socks on
my calves which is very rare for me as I normally avoid the sun.
But
as usual it's really worth being in the front : perfect view and the
extra support is nice. Finally a festival where you can see most of
the stage, well, the view to our left was a bit blocked but nothing
major.
I
was really happy to see Seasick Steve again. He got “rid” of the
bass player (some will get who I mean) and things are even simpler,
yet still so powerful. These two guys can do more with a drum kit and
some two stringed guitars, than a lot of others. And there are always
new contraptions and weird Steampunk guitars.
He
apparently played some new songs, if you go by his comments, which
means there is a new album on the way! It included a great protest
song, brought by by the recent news that some people had a certain
fondness for a far away island.
In
the same vein, there was a little jab towards the empty VIP seats to
the right of the arena. People have no idea what they miss, as usual
the VIP's have no interest in music, so why bother? In contrast the
“cheap seats” as Steve called them to the other side of the arena
were all taken.
As
usual he also invited a young girl up on stage, great choice this
time as she had a wonderful singing voice and joined Steve in the
chorus. I bet that will make for an unforgettable memory, what a nice
gesture really.
After
the usual finale of semi-demolishing the drum kit it was time to wait
a little bit for the next act.
The
background curtain went up, showing the old feather symbol in a new
design, no more spiral shell.
I
will never tire of this band, if anything I get more and more
addicted to them. Still so uplifting, I can't help it but to dance
along, I realised recently that about half of all humans are not
simply “hearing” music, they take it in on many other levels
especially when it's live music. I definitely do, and combined with
the synaesthesia I have, that lets me see images, shapes and colours
with music. It's probably a bit like taking mind altering substances.
I will go so far by saying it's actually better than that, though I
can't really tell. I may blog about this on my art blog, the post has
been sitting in the drafts for a few weeks now.
I
wish I knew who is in charge of lights, probably the same people as
have been for at least a decade now, I would love to thank them for
all the inspiration over the years, the amazing colour show is so
perfectly complementing the music, it never fails to get me in the
“zone”. This time the image that sticks with me is one in blue
tones, and some discreet yellow highlights.
Musically
the set list doesn't change that much, a song here and there, and as
usual at festivals there is a majority of Led Zeppelin tunes,
re-worked and re-arranged to fit this band. I've said several times
that I prefer the band's actual songs, but the arrangements are fun
and interwoven with other, older classics. And the intro to
“Immigrant Song” was rather impressive in this setting.
What
else to say without repeating what I said in numerous other
reviews... technically the sound was good, but a bit “high up”. I
mean I complained last month about the new set up of most festivals I
went to, with the really obnoxious bass speakers under the stage.
Here there was almost no bass at all, it felt like the sound waves
were traveling above us and not “into” us as is the most fun. At
least the rest of the sound was really good.
Apparently,
management is really against photos, so I didn't take any, not that I
am that motivated anyway, but a few for illustration would have been
nice.
Writing
a review in the train to the next show. But these two shows are
almost my only days off this month and I am still working on my way
(and writing reviews)
If
you scroll back a few years you'll notice I have already been to this
festival. It's one of the prettiest towns in the country, known for
Roman ruins, and the festival actually takes place inside the Roman
amphitheatre. I got there right in time to meet a friend and to start
queuing, no one else was there so that was fairly stress less, and
there was shade which was really wonderful. As we got to the barrier,
there were maybe five people joining us in the six o'clock sun, still
rather hot but ok. In fact I ended up having the mark of my socks on
my calves which is very rare for me as I normally avoid the sun.
But
as usual it's really worth being in the front : perfect view and the
extra support is nice. Finally a festival where you can see most of
the stage, well, the view to our left was a bit blocked but nothing
major.
I
was really happy to see Seasick Steve again. He got “rid” of the
bass player (some will get who I mean) and things are even simpler,
yet still so powerful. These two guys can do more with a drum kit and
some two stringed guitars, than a lot of others. And there are always
new contraptions and weird Steampunk guitars.
He
apparently played some new songs, if you go by his comments, which
means there is a new album on the way! It included a great protest
song, brought by by the recent news that some people had a certain
fondness for a far away island.
In
the same vein, there was a little jab towards the empty VIP seats to
the right of the arena. People have no idea what they miss, as usual
the VIP's have no interest in music, so why bother? In contrast the
“cheap seats” as Steve called them to the other side of the arena
were all taken.
As
usual he also invited a young girl up on stage, great choice this
time as she had a wonderful singing voice and joined Steve in the
chorus. I bet that will make for an unforgettable memory, what a nice
gesture really.
After
the usual finale of semi-demolishing the drum kit it was time to wait
a little bit for the next act.
The
background curtain went up, showing the old feather symbol in a new
design, no more spiral shell.
I
will never tire of this band, if anything I get more and more
addicted to them. Still so uplifting, I can't help it but to dance
along, I realised recently that about half of all humans are not
simply “hearing” music, they take it in on many other levels
especially when it's live music. I definitely do, and combined with
the synaesthesia I have, that lets me see images, shapes and colours
with music. It's probably a bit like taking mind altering substances.
I will go so far by saying it's actually better than that, though I
can't really tell. I may blog about this on my art blog, the post has
been sitting in the drafts for a few weeks now.
I
wish I knew who is in charge of lights, probably the same people as
have been for at least a decade now, I would love to thank them for
all the inspiration over the years, the amazing colour show is so
perfectly complementing the music, it never fails to get me in the
“zone”. This time the image that sticks with me is one in blue
tones, and some discreet yellow highlights.
Musically
the set list doesn't change that much, a song here and there, and as
usual at festivals there is a majority of Led Zeppelin tunes,
re-worked and re-arranged to fit this band. I've said several times
that I prefer the band's actual songs, but the arrangements are fun
and interwoven with other, older classics. And the intro to
“Immigrant Song” was rather impressive in this setting.
What
else to say without repeating what I said in numerous other
reviews... technically the sound was good, but a bit “high up”. I
mean I complained last month about the new set up of most festivals I
went to, with the really obnoxious bass speakers under the stage.
Here there was almost no bass at all, it felt like the sound waves
were traveling above us and not “into” us as is the most fun. At
least the rest of the sound was really good.
Apparently,
management is really against photos, so I didn't take any, not that I
am that motivated anyway, but a few for illustration would have been
nice.
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